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- By Linda Kelly
- 13 Jun 2026
The descendants of a Jewish pair have filed a lawsuit against The Met, asserting that a Van Gogh art piece was looted by Nazi forces.
According to the court documents, Hedwig and Frederick Stern bought the painting, titled Olive Harvest, in the mid-1930s. The following year, they were compelled to leave their home in the German city of Munich prior to the Second World War.
The legal action states that the institution, which purchased the painting in the 1950s for one hundred twenty-five thousand dollars, ought to have been aware it was almost certainly looted property. The family are now seeking the return of the painting along with damages.
Following the war, this Nazi-looted painting has been often and discreetly exchanged, purchased and sold in and through New York, states the court document.
The Stern family escaped from their Munich home to California in the late 1930s with their six children due to Nazi persecution. Nevertheless, they were barred from transporting the artwork, which was produced by the renowned Dutch in 1889.
Before the family's emigration, Nazi authorities declared the painting as German cultural property and banned the couple from exporting it. After obtaining permission from a Nazi official, a agent appointed by the Nazis auctioned the artwork on the family's behalf. But, the proceeds from the sale were placed in a restricted account, which the Nazis later took.
By 1948, or not long after, the artwork entered New York and was purchased by a wealthy American, among the richest individuals in the US. Later, it was transferred through a art dealer to the institution, which then passed it on to prominent shipowner the magnate and his wife, Elise, in 1972.
The Greek couple set up the Basil & Elise Goulandris Foundation in 1979, which runs a institution in Athens, Greece where the artwork is currently shown.
The foundation and a family member of the magnate are listed as respondents. The lawsuit alleges that the family and its related entities have hidden and obscured the masterpiece's history and location from the heirs.
Currently, the defendants continue to hide the circumstances the BEG came into control of the piece; the couple's ownership of the artwork from 1935 to 1938; and the truth that the Nazis stole the canvas from the heirs, coerced the Sterns into selling it via a Nazi-appointed agent, and took the proceeds of the deal.
The Stern heirs filed a related lawsuit in CA in 2022, but it was rejected in 2024. An legal challenge was also dismissed in May 2025.
The lawsuit argues that the museum's acquisition of the artwork was authorized by a curator, the institution's specialist of Old Masters and one of the world's foremost experts on art theft during the Nazi era. The curator and the museum were aware or ought to have been aware that the artwork had likely been looted by the regime.
The institution issued a statement that it is committed to its historical dedication to handle Nazi-era claims.
A spokesperson remarked: At no time during the museum's possession of the painting was there any documentation that it had once belonged to the heirs – indeed, that data did not become accessible until many years after the painting left the institution's holdings.
The museum's disposal of the Van Gogh met the museum's strict criteria for deaccessioning – specifically, it was documented that the piece was considered to be of inferior standard than other works of the comparable nature in the inventory. While The Met upholds its position that this artwork entered the inventory and was deaccessioned properly and well within all guidelines and policies, the institution welcomes and will consider any further evidence that is discovered.
Legal counsel acting for the Goulandris Foundation stated: The Goulandris Foundation is a highly prestigious organization in Athens. The attempt to take legal action against the institution and the family in the America upon deceptive and insufficient accusations was previously dismissed, multiple times. We are certain it will be once more.
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